Conversely Blue

If the chromatic background with a contrasting picture to put background color, the color image as would be added to the background of a contrasting color and perceived as a new color: Yellow is perceived as more intense next to the blue, dull red feels like to be more intense near the green, purple predstvlyaetsya more crowded near the yellow, etc. If the color is very saturated, it can weaken the selection of colors: purple tone desaturated turn down a great sense of saturation with a violet color. blue next to the red becomes blue, data can be supplemented following empirical advice: color on the background of a contrasting color is perceived as more intense, a combination of contrasting colors makes it possible to increase a sense of richness pattern, with a combination of low-contrast colors decreased sensation of saturation is greater than closer to each other, these colors are in the color wheel, color contrast can feel more powerful, more colors vary in brightness and saturation. The perception of color affects the level of natural light, but always the perception persists. Thus, in the bright sun the ability to recognize colors, especially warm colors (red, orange), dull. Day of maximum red colors are perceived in the dusk the same sensitivity is shifted into a zone of blue-blue-ray (X = 507-510 l, p). At twilight, first "sereet" and "attenuated" red, then yellow, later green. The blue color does not darken or sereet, but Conversely, lightens, is seen as close to white. Cabinet knobs might disagree with that approach.

On a dark background blue colors recede, that is, look further away from the viewer, located at the source of light (blue light in the spectrum projected onto the horizontal plane, go on). But on a white background blue tone feels like a closer located to the viewer. The yellow color tends to raise as a surface, making it more extensive. Yellow, white, and as is emitted by adjacent colors, reducing them. Purple and dark blue tones - and aspiring to visually reduce the bottom color. Everything bright colors - light, all dark - heavy, yellow, and blue as - color "floating." Color scheme created taking into account such properties of color, as a "burden" and "lightness." When the base compositions are dark colors, there is a sense of stability, as well as light - changeability. The perception of color depends on the as far as composition is removed from the viewer. From a distance 500-1000 m is seen only hue from a distance of 50-300 m - color structure at a distance of 10-50 meters - the color texture of the surface. In this context, the hue is in the form color formed from the merger of the individual colors at a considerable distance from the object, the color structure - clearly differentiated visually when only a few colors, and texture - when clearly recognizable not only color but also nature of the surface, its structure.